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The Beatles - Get Back - The Glyn Johns Final Compilation

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Scan submitted/created by [aral2]
HQ Scans:
Publisher: Vigotone
Reference :VT 182
Date :1999
Made In :
Quality :Good/Very Good
Booklet & packaging :Cardboard case, 32-page booklet with extensive liner notes and photos.
Total duration: 54:30

Comments
Liner notes:

The final Glyn Johns compilation of the legendary unissued "Get Back" LP. Assembled just one day after the last official Beatles recording session in January 1970, this lineup features notable differences from the more common Spring 1969 compilation on "As Nature Intended". Also included are two previously unheard mixes of Teddy Boy (..)

Get Back, version 2: final tape banding and compilation performed by Glyn Johns at Olympic Studios, Studio One, 117 Church Road, Barnes, London SW13, on January 5, 1970.

"We had a meeting in Apple, and I said I think it's time we did something. And everybody at that time was very happy to not really work, because they were enjoying the rewards of their success. The guys were all rich, living in nice country homes out in Weybridge and Esher, they were all married, I wasn't. So it was like: Hey guys ! C'mon ! We can't sit around, we've got to do something, we're The Beatles !"

-- Paul McCartney, 1989

Beatles collectors are quite familiar with The Beatles' Get Back album and film project. The unrleased album culled from the very tense, uncomfortable sessions in January, 1969 was assembled in the spring of 1969 but was ultimately shelved in favor of the overblown Phil Spector-produced version issued as "Let It Be" in May, 1970. The original Get Back album has been an unauthorized perennial since 1969, and can be heard in its best quality as part of Vigotone's CD "As Nature Intended" (VT-122). Also, an otherwise undocumented-by-studio-paperwork assembly was played on several US readio stations in late 1969, which included a track, "The Walk" that didn't appear in the earlier sequence. This lineup was featured, along with contemporary commercials and DJ commentary from a WBCN-FM/Boston broadcast in September, 1969, on Vigotone's "Posters, Incense and Strobe Candles" (VT-109). What many collectors may not be familiar with, and certainly have not heard, is the final version of "Get Back", compiled (as was the original) in 1970 by noted British recording engineer Glyn Johns.

By early January 1970, a full year after the initial recording sessions for the project, no album had yet been issued from the chaotic mess of tapes that had been laid down at the Beatles' new Apple studios. In fact, The Beatles issued another album in the interim, "Abbey Road", in september 1969 while deciding the fate of the "Get Back" album. Earlier that year, in March, Glyn Johns had been given the piles of eight-track tapes from the January 1969 recording sessions at 3 Savile Row, and was told by John and Paul: "Remember that idea you had about putting together an album ? There are the tapes, go and do it." A finished master tape of "Get Back" was assembled and completed by Johns in May of 1969. However, delays in the preparation of the packaging for the LP (which was to include a book of pictures and text), and in the completion of what now was to be a feature film instead of a television special were cited as reasons for the lack of any forthcoming album. In truth, the reasons were a little more involved and the album was still in limbo at the end of 1969.

At this stage of the much-delayed project, the Beatles couldn't quite reach an agreement on what they wanted where "Get Back" was concerned, particularly whether or not the liked Glyn Johns' album. Having at this point no real love for the project or each other, yet finding themselves contractually bound with film and album commitments, they instructed Glyn Johns to yet again come up with an album. The stipulation, however, was that it must now tie in musically with the as-yet unreleased film's tune lineup. Essentially Johns kept the majority of the already assembled album, altering it only in order to more accurately reflect the songs soon to be seen performed in the "Let It Be" film. He dropped "Teddy Boy" because it would not be seen in the film and possibly because Paul had told Johns that he was going to re-record it for his first solo album. But he added the songs "I Me Mine" and "Across The Universe" for the opposite reason: they WOULD be seen in the film (in rough versions filmed at Twickenham Studios). However, these additions to the LP were not actually recorded during the "Get Back" sessions (see tracks details).

In the end, it was all for naught. After all the effort and work put into the project, even this second version of the "Get Back" album would not see official release, as the Beatles still couldn't decide if they liked it. In the end, famed producer Phil Spector, who had just worked with John on "Instant Karma!" was given the ball to run with. Spector turned the once raw, unardorned performances into the album "Let It Be", which has been criticized for his heavy treatment of many of the songs, particularly the lushy orchestrated "The Long And Winding Road", which to this day causes Paul McCartney an itchy bum.

While it can't be argued that this version of the "Get Back" album is a lost treasure, this final Glyn Johns assembly does have seome importance in the annals of Fabs history. It exclusively features a couple of tracks in forms that would be soon altered considerably ("I Me Mine", "Across The Universe"). Also this was the last time the original "warts and all" concept if "Get Back" was adhered to, which in the end was (ironically) perhaps its downfall in the eyes of the Beatles. It has never seen circulation amongst the vast regions of Beatles' fandom and we at Vigotone are pleased to have had the opportunity of presenting this last version of "Get Back". Now you have to decide for yourself which "Get Back" album is the one for you. But you really have to have them all, don't you ?


"I cannot bring myself to listen to the Phil spector version of the album - I heard a few bars of it once, and was totally disgusted, and think it's an absolute load of garbage"

-- Glyn Johns


(Liner notes transcription by Tilleul, beatleg@infonie.be)

Core collection    Track identified    Version validated    Lyrics available    Version details available    Audio excerpt available    Participants list available   
1.
The One After 909(Lennon/McCartney)
03:05
Song
Rooftop Concert
30 Jan 1969
GB30.06
The Beatles
The only track from the "Get Back" album which used a recording from the famed "rooftop concert", the last live preformance of The Beatles. This version is a different mix than the one Phil Spector produced from the same recording for the "Let It Be" album.
2.
Rocker(Lennon/McCartney/Harrison/Starkey)
00:45
Song
Get Back Session
22 Jan 1969
GB22.52
The Beatles
A rock and roll jam instrumental, this was used on both version of "Get Back" in identical form. Paul McCartney bestowed the title on this tune after plowing through a number tapes in order to catlog the large number of unlabeled tape boxes.

"Rocker" is GB22.52 and finds its origin in "I'm Ready", a Fats Domino song (Sulpy, 1998)
3.
Save The Last Dance For Me(Pomus/Shuman)
01:36
Song
Get Back Session
22 Jan 1969
GB22.53
The Beatles
A short rendition ("because it wasn't meant to be on the new LP" according to Mal Evans) of the old Drifters hit. It was left on the album to maintain the "fun atmosphere of the whole session". A close comparison reveals some minor differences in the patter between this and the next rack on this version of "Get Back".

At the end of the performance, they switch to "Don't Let Me Down".
4.
Don't Let Me Down(Lennon/McCartney)
03:46
Song
Get Back Session
22 Jan 1969
GB22.54
The Beatles
Once again, using the same version from his previous edition of "Get Back", this version of the song comes from the first day of recordings after the "Get Back" film project switched from Twickenham film Studios to Apple Studios.
5.
Dig A Pony(Lennon/McCartney)
04:04
Song
Get Back Session
RS? - Glyn Johns' 2nd Mix
23 Jan 1969
GB23.035
The Beatles
Johns utilized the recordings from this date but incorporated a spoken intro from January 22 that he edited onto the beginning. This would becomre standard practice for the album extracting bits here and there from different sessions and editing them in to create the appearance of spontaneity.

Note: recording date in the booklet is incorrect. Correct date is January 23 and not January 24.
6.
I've Got A Feeling(Lennon/McCartney)
02:53
Song
Get Back Session
23 Jan 1969
GB23.36
The Beatles
Recorded just after Dig A Pony.
Johns utilized the recordings from this date but incorporated a spoken intro from January 22 that he edited onto the beginning. This would becomre standard practice for the album extracting bits here and there from different sessions and editing them in to create the appearance of spontaneity.

Note: recording date in the booklet is incorrect. Correct date is January 23 and not January 24.
7.
Get Back(Lennon/McCartney)
03:10
Song
Get Back Session
27 Jan 1969
GB27.06
The Beatles
This song was the first material from this project to see commercial release, having been issued as a single ni Britain on April 11, 1969, backed with a different version of "Don't Let Me Down" from the one selected for "Get Back". It was the last Beatles single to be issued in mono in the UK, and this stereo single was done on April 7, 1969 for initial use in the US. Hence its inclusion on the album, for by the time, the "Get Back" album would have come out, the song and the single version would have been too familiar to warrant any noticeable variations. However, this was something someone DIDN'T tell Phil Spector about when he was assembling the "Let It Be" album. He took this recording, remixed it, chopped off the extended code, and edited spoken chatter at the beginning eand end to give the appearance that it was from the live rooftop performance seen in the film which it certainly wasn't.

Note: recording date in the booklet is incorrect. Correct date is January 27 and not January 28.
8.
Let It Be(Lennon/McCartney)
04:05
Song
Version validated
Get Back Session
31 Jan 1969
nDDSI.31.064
The Beatles
With overdub from 30 April 1969.
This track was the one exception that Glyn Johns allowed on either version of "Get Back" to the original no frills, no overdub concept that the Beatles and George Martin had started out with originally. It included a lead guitar overdub that was laid down after the actual "Get Back" sessions, in April 1969. The day before compiling the final album master, January 4, 1970, he oversaw yet another overdub of guitar, backing vocals, drums, maracas and cellos. Interestingly, Johns refused to consider these for the "Get Back" album, remaining as faithful as possible to the no overdub edict. He did however move the track to the end of side one of the revised "Get Back" LP from its former position on side two of the first.

Note: recording date in the booklet is incorrect. Correct date is January 31 and not January 30 (which was the date of the rooftop concert).
9.
For You Blue(Harrison)
02:52
Song
Get Back Session
25 Jan 1969
GB25.25
The Beatles
Originally recorded under the working title of "George's Blues", this was take six from the only time this song was worked on by the group. On this version of "Get Back", Glyn Johns chopped the first (lasting seven seconds) of two false starts this song has on the earlier version of the album.
A new vocal was taped for this song on January 8, 1970, after the "Get Back" album had seen its final compilation, so obviously it wasn't used on this version. The new vocal is most likely the one used by Phil Spector on "Let It Be", although as with most recordings from these sessions detailed take information is either lacking or very incomplete.
10.
Two Of Us(Lennon/McCartney)
03:23
Song
Get Back Session
24 Jan 1969
GB24.40
The Beatles
Another take selected from the January 24 session (Note: due to errors in the booklet, this is in fact the first one to be taken from January 24 !), "Two Of Us", was recorded under the working title "On Our Way Home". It's also seen in the "Let It Be" film in the song's original guise as an electrified rocking number before being rendered in its final acoustic form in both the film and on the album. This is an alternate take from the "Let It Be" LP track.
11.
Maggie Mae(Trad. Arr Lennon/McCartney/Harrison/Starr)
00:42
Song
Get Back Session
24 Jan 1969
GB24.41
The Beatles
Recorded between takes of "Two Of Us" on January 24, this spontaneous rendition of an old Liverpool ode to an infamous lass is curiously the only recording to see inclusion on both "Get Back" and "Let It Be" in identical form. The lack of any discernable differences in the mixes suggests that Phil Spector merely used the same mix for his version or at the very least made his identical to Johns' version (which is suggested by Mark Lewisohn in "The Beatles Recording Sessions").
12.
Dig It(Lennon/McCartney/Harrison/Starkey)
04:11
Song
Get Back Session
26 Jan 1969
GB26.27
The Beatles
This is the second version of "Dig It", the first being recorded two days earlier in a heavier, electrified version which included slide guitar. The version included here is more keyboard oriented featuring Paul on piano and Billy Preston on his prominent organ (so to speak). Included both on "Get Back" version being nearly four minutes long, and the "Let It Be" version only forty seconds. The "Get Back" version is mixed quite differently than the shorter excerpt, featuring audible Paul backing vocals. Interestingly, though, both use John's childlike spoken at the end of the song that actually comes from the end of the first version mentioned earlier.
13.
The Long And Winding Road(Lennon/McCartney)
03:38
Song
Get Back Session
31 Jan 1969
GB31.20
The Beatles
No liner notes available.
This version was released on Anthology 3.
14.
I Me Mine(Harrison)
01:46
Song
Alternate Version
Glyn Johns 2nd Mix
3 Jan 1970
The Beatles
Following his brief to tie the "Get Back" album to the yet-to-be released film (still thought at this point to be called "Get Back"), Johns introduced the song "I Me Mine" in the line-up. However, even though this song is seen being performed in the film at Twickenham, it never resurfaced for proper studio recording once the project moved to Apple's recording studios. Therefore, on January 3, 1970, Paul, George and Ringo assembled at Abbey Road Studios to record a version for inclusion on the LP (John was then on vacation in Denmark). This was actually somehow appropriate for even in the Twickenham film version John did not participate; instead he is seen dancing with Yoko as the other three seemingly serenade the two of them. The finished take is included on "Get Back" in its true length of 1:34, whereas the Phil Spector version on "Let It Be", including overdubs and edits, was extended another 51 seconds to 2:25. There is also a bit of dialogue left in between George and Ringo prior to the track to continue the illusion of the "informal" nature of the record.
15.
Across The Universe(Lennon/McCartney)
03:29
Song
Take 8
Get Back LP Mix #2
8 Feb 1968
SS.PM2.13.08.RS3
The Beatles
As with "I Me Mine", "Across The Universe" was seen in the forthcoming film and therefore was required to appear on the album. Once again, although the Beatles are seen plowing through a fairly horrible rendition of the song in the film, it was not attempted later at Apple. Instead, it was decided to use the recording of the track from the original Abbey Road studio session from February 1968, nearly a full year before the start of the "Get Back" project. The problem was the song had just seen release in December 1969 on the World Wildlife Fund charity album "No One's Gonne Change Our World". Any inclusion on the current album would require using the same recording but somehow making it seem different from the WWF release and more like a "Get Back" recording. To do this, Johns mixed out the Beatles' own backing vocals, and all but mixed out the Gayleen Pease and Lizzie Bravo backing vocals (these were the two fans who had been recruited for the original recording sessions). These vocals are audible, but are kept in the background. By tacking on several seconds of chatter from John at the beginning and crossfading into the reprise of "Get Back", Johns was able to create the illusion that this was a different recording. It should be noted that Phil Spector had to the same sort of thing with the song for "Let It Be", but his efforts took a different direction.
16.
Get Back Reprise(Lennon/McCartney)
00:44
Song
Get Back Session
28 Jan 1969
GB28.01
The Beatles
Heard over the closing credits of the "Let It Be" film and here at the end of the "Get BAck" album, this brief reprise comes from the extended code of the recording that produced the "Get Back" single. A very close listen to the mono single mix of "Get Back" will reveal the first notes of this reprise section as the single fades out.
17.
Teddy Boy(McCartney)
05:45
Song
Get Back Session
Alternate Mix By Glyn Johns
24 Jan 1969
GB24.22
The Beatles
"Remix from 8-track by Johns/Martin Jan 69" according to annotations on reference tape which were made during later archival cataloging. The reference to Jan 69 is probably related to the recording date, not mixing, as this song was not given its first mix until March 1969 during Glyn Johns' first studio sessions after being given his assignement by John and Paul. This is a mix of the song in its full length. For his first "Get Back" compilation, Johns edited down this track from over five minutes to just over three minutes.
18.
Teddy Boy(McCartney)
04:28
Song
Get Back Session
Alternate Mix By Phil Spector
24 Jan 1969
GB24.22
The Beatles
"Remix Stereo 1 from 8-track by Brown/Spector 25 Mar 70" again according to the annotation on reference tape. Producer Phil Spector working with engineer Peter Brown, remixed "Teddy Boy" for possible inclusion on the "Let It Be" album (that would really have pissed Paul off!), even though in the end it was not included. Spector did two mixes of the song, one full length and the other an edit. It is the first full-length version which is included here. It differs noticeably from Johns' with Spector placing the vocal and electric guitars more prominently in the mix and giving the track additional separation.

Note: although it's credited by Vigotone as a full-length mix, it does not start from the beginning of the song. So maybe, we should understand that there is a long mix and a shorter one, edited from the first...
Core collection    Track identified    Version validated    Lyrics available    Version details available    Audio excerpt available    Participants list available   

Song Song Studio chat Studio chat
TV/Radio chat/jingle TV/Radio chat/jingle Interview Interview
Cover by another artist Cover by another artist Film Music/Orchestral Film music/orchestral
Concert intro/announcement Concert intro/announcement Advertising Advertising
Song by another artist Song by another artist Medley title Medley title
Book chapter Book chapter
Other type of track Other


Reviews

Review by: François Vander Linden, beatleg@infonie.beOn 17 Sep 1999
First, the packaging and liner notes are almost as good as "Turn Me On Dead Man" except that there are some dates errors here and there.

This second attempt at a "Get Back" album is really much like the first one except it has I Me Mine and Across The Universe and misses Teddy Boy. I've not taken the time to compare each second of the two mixes but I'm sure there is not much differences between the two... not a very big deal.

Teddy Boy is also featured anyway, in two new mixes... which are taken from GB24.22 and since GB24.22 was boring, this is not better here (remember: GB24.22 is that 7 minutes long version of which an edit excerpt was released on Anthology 3).

So, all in all, this CD has not much exciting material, if you own a copy of Glyn Johns first mix. Of course, if you don't have any Glyn Johns mix, this bootleg IS a good choice because it's so different to Phil Spector's Let It Be. Otherwise, I would recommend this only to completists.

I think that this 2nd mix is even better than the first one because Glyn Johns has removed Teddy Boy (which was recorded by The Beatles only as a rehearsal and not as a serious take) and that it features I Me Mine and Across The Universe. The only deception is the version of I've Got A Feeling, Glyn Johns should have selected another one because this song is a real rocker and here it breaks down even before John's Everybody had a hard year part.
Review by: klaus hoffmann, hoffi_65@yahoo.comOn 12 Oct 1999
Of all the various versions I have heard so far this is the one, without a doubt! This is how they must have intended it and apart from great sound the packaging, as ever, is second to none.
Get this as soon as you can. Why could apple not come up with anything like this?
Review by: Dr. Musix, Wolfgang.Bittmann@extern.lrz-muenchen.dOn 21 Oct 1999
I've been waiting for three months for this since it was announced on the web in the early summer. I had to buy it - when do they start sending me free promo discs by the way? So, was it worth the wait? You bet!
Back in 1970 I bought the KUM BACK vinyl boot from a school-mate who had been to the USA for his holidays and that LP was a true sensation. It's been my favourite all the time - with its wrong speed and muddy mono, but truely scarce. It captured the spirit of those Twickenjams far better than the spectorpolished LET IT BE "product". Over the years I collected some of the "upgraded" CDs, everyone a bit better-sounding than the last, but always a touch more superficially cleaned: those swoooosh cymbals being a bit unnerving (digitally de-noising is not always beneficial to the sound), and even showing the original cover art and more: that "dark suits for George and John" outtake was on the "Fresh Beatles: Get Back Sessions" CD - alas the wrong way around. Do they have web discussions on those suits already???
AND NOW: The first new mixes - and a truely great package. Showing off all known sleeve outtakes plus a nice informative booklet, it seems that Vigo does what Apple just doesn't manage: Give Beatle People what they want. Someone did hold himself from digitally de-hissing and de-klicking the tapes he "found in a flea-market" and presents an album which should have been "the one" in summer '69, when John Lennon announced in the New Musical Express that the new LP would be called GET BACK, DON'T LET ME DOWN AND 12 OTHER TRACKS. Only it wasn't ... Here you have (1) great music, (2) lively atmosphere, (3) no f**** Mantovani, and (4) the natural sound you always wanted. Plus you get TEDDY BOY in both Glynns' and Spector's mixes, nice enough, but let's not get too excited: That really is a lame song. Not that everything is a revelation: Let It Be sounds as if the source tape runs on low batteries at the end: that's unforgivable. The source seems to be cassette tape - but obviously John Barrett had access to an expensive cassette machine: The overall sound quality is impeccable except for LIB - and remember, I had to buy it. From all the various versions I heard - this is the One. Oh: What will the Masterdisc sound like?
Dr.musix (10/99)
Review by: Paul Schneider, pdjsch@msn.comOn 05 Apr 2001
By far, the best bootlegged version of the "Get Back" album. This is the final Glyn Johns mix that was rejected by the band, and is vastly superior to the Spectorized version officially released. This CD truly captures the raw feel the Beatles were looking for, and the Vigotone packaging and booklet are excellent.
Review by: reikorOn 06 Jan 2002 at 23:50 CEST
A real must have. The sound quality is excellent and the booklet is really a killer. In my opinion this is the best Get Back Boot so far (and I´ve heard a lot of them). Get this if you can!
Review by: gatoshoesOn 23 Feb 2002 at 15:55 CEST
I found the sound muddy, like they put dolby on it from a cassette.
Review by: CalicoSkiesNCOn 03 Dec 2003 at 21:04 CEST
I disagree completely with the guy that said the sound is muddy. My disc has excellent, crisp sound. This disc is great fun to hear all the way thru, I dont find myself looking for the skip button. I love the mixes on here. I think this disc is very much what the Fabs were intending with their concept of the "Get Back" album. This disc is among my most fave boots.
Review by: craig braelowOn 26 Dec 2004 at 01:41 CEST
Review by: drrobert61On 15 Nov 2008 at 19:17 CEST
great package,good sound & better then the 1st mix. This & yellow dogs celliloid rock cd are the best of this stuff.
Review by: sqadzillaOn 25 Jun 2010 at 20:43 CEST
Great package. Sound is a bit more natural than the Strawberry 2nd mix, so This is the one to get! - But beware of the inferior fakes/clones, they are everywhere!!! Check moptop.org or vigatone.com for details first. Don't get ripped off like I did. The original sounds much better than the fakes. I've compared it's a night and day difference.

http://www.moptop.org/music/docs/beatles/boots/cd/vt182.htm
http://vigotone.com/vigotone/vigotone182.htm
Review by: BixxOn 13 Jul 2010 at 19:57 CEST
Like the 1st reviewer Francios said, except for I Me Mine and Across The Universe everything else is the same from the 1st mix. Time seems to have made these mixes endearing. Take the choir crap Spector did to Let It Be, Long & Winding Road, and Across The Universe out of the equation here and over all compared to these Glyn Johns tracks, he did a very good job. Since Anthology 3, we have learned there certainly better studio takes of I Dig A Pony. Why Johns didn't use more Rooftop versions is a mystery as well. The 2nd Roof version of I've Got A Feeling is better than what he used here(or GB1). Even Paul had the Let It Be Naked mix combine takes of Don't Let Me Down from the Roof(although he should have went with the blown lyric version). And I've always wondered why(even On Let It Be Naked, he didn't use the "There will be no sorrow" version of Let It Be). Face it, Glyn Johns didn't do a very good job choosing the best takes but he did stay true to the "Warts and All" philosophy. Ah, but Best of all Boys & Girls with all the material out there we can make our own personal Get Back/Let It Be mixes. So Go forth and be creative.


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Filename: vt182
Originally filled by: François Vander Linden, beatleg@infonie.be
Date of creation: 06 Oct 2001 23:59:59
Last filled by: aral2
Last Revision Date : 18 Feb 2004 00:06:59
Online on : 17 Feb 2004
Type of media: Bootleg CD

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