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The Beatles - The "Let It Be" Rehearsals Vol. 2 - All Things Must Pass (Part 1: Electric Set)

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Scan submitted/created by [Beatleg Extension]
HQ Scans:
Publisher: Yellow Dog Records
Reference :YD 016
Date :1992
Made In :Luxembourg
Quality :Mono/Stereo
Booklet & packaging :
Total duration: 66:40

Comments


Core collection    Track identified    Version validated    Lyrics available    Version details available    Audio excerpt available    Participants list available   
1.
George Talks About Solo Album(unknown)
01:43
Studio chat
Get Back Session
Jan 1969
The Beatles
George is talking about all the songs he has in reserve and is planning a solo album to release those that won't fit on Beatles albums.

John & Yoko seem to think it's a great idea.

Pitch correction: -1.4%
2.
All Things Must Pass(Harrison)
03:09
Song
Identified
Get Back Session
8 Jan 1969
GB08.033
The Beatles
This is the only version featuring John on piano.

Pitch correction: -2.5%
3.
Old Brown Shoe(Harrison)
02:58
Song
Get Back Session
28 Jan 1969
The Beatles
Pitch correction: -3.3%
4.
For You Blue(Harrison)
02:54
Song
Get Back Session
25 Jan 1969
The Beatles
Pitch correction: -2.6%
5.
Let It Down(Harrison)
02:15
Song
Get Back Session
2 Jan 1969
The Beatles
Pitch correction: -2.7%
6.
I Shall Be Released(Dylan)
01:47
Song
Get Back Session
02 Jan 1969
GB02.17
The Beatles
Cover of Bob Dylan.

Pitch correction: -2.3%
7.
Speak To Me(Lomax)
01:52
Song
Get Back Session
2 Jan 1969
GB02.33
The Beatles
Pitch correction: -2.1%
8.
Hear Me Lord(Harrison)
02:21
Song
Get Back Session
06 Jan 1969
The Beatles
Pitch correction: -3.0%
9.
I Me Mine(Harrison)
02:19
Song
Get Back Session
Jan 1969
The Beatles
George demo sung to John.

Pitch correction: -0.4%
10.
Short Fat Fanny(Williams)
02:55
Song
Get Back Session
Jan 1969
The Beatles
Pitch correction: -1.4%
11.
All Things Must Pass(Harrison)
02:57
Song
Identified
Get Back Session
29 Jan 1969
GB29.002
The Beatles
John plays organ because Billy Preston is absent for the moment.

Pitch correction: -3.2%
12.
Let It Down(Harrison)
03:58
Song
Get Back Session
Jan 1969
The Beatles
Pitch correction: -1.8%
13.
Hear Me Lord(Harrison)
01:45
Song
Get Back Session
06 Jan 1969
The Beatles
Pitch correction: -2.1%
14.
I Shall Be Released(Dylan)
01:48
Song
Get Back Session
Jan 1969
The Beatles
Pitch correction: -1.9%
15.
On The Road Again(Jones/Wilson)
00:46
Song
Get Back Session
Jan 1969
The Beatles
Pitch correction: -1.9%
16.
How Do You Tell Someone(unknown)
02:02
Song
Get Back Session
28 Jan 1969
GB28.22
The Beatles
Pitch correction: -1.7%
17.
Positively 4th Street(Dylan)
01:06
Song
Identified
Get Back Session
28 Jan 1969
GB28.23
The Beatles
Cover of Bob Dylan.
Only an excerpt of this performance has survived.

Pitch correction: -1.7%
18.
Let It Down(Harrison)
02:09
Song
Get Back Session
28 Jan 1969
GB28.027
The Beatles
During playback of Get Back.

Pitch correction: -1.8%
19.
Well, All Right(Petty/Alison/Holly/Mauldin)
01:09
Song
Get Back Session
02 Jan 1969
The Beatles
Cover of Buddy Holly

Pitch correction: -1.7%
20.
Hitch Hike(Gaye/Stevenson/Paul)
01:56
Song
Get Back Session
03 Jan 1969
GB03.053
The Beatles
Pitch correction: -2.3%
21.
I Me Mine(Harrison)
02:54
Song
Get Back Session
Jan 1969
The Beatles
Paul & George work out middle 8.
Ends in film version.

Pitch correction: -0.2%
22.
Something(Harrison)
09:03
Song
Get Back Session
28 Jan 1969
The Beatles
John, George and Paul work on the words.

Pitch correction: -2.2%

Gustavo note:
either 28.20 or 28.21. I'll further check it by listening to the CD.
23.
I Me Mine(Harrison)
03:28
Song
Get Back Session
Jan 1969
The Beatles
Pitch correction: -2.9%
24.
I Me Mine(Harrison)
04:33
Song
Get Back Session
Jan 1969
The Beatles
Pitch correction: -1.9%
 
All Things Must Pass(Harrison)
Song
Identified
Get Back Session
3 Jan 1969
GB03.072
The Beatles
The beginning of a performance. Lasts only a few seconds.

Pitch correction: -3.3%
 
All Things Must Pass(Harrison)
Song
Identified
Get Back Session
3 Jan 1969
GB03.073
The Beatles
George gets shock because he's touching his mike.

Pitch correction: -3.3%
 
_Dialogue_(Chapter Title)
Studio chat
Identified
Get Back Session
3 Jan 1969
The Beatles
The Beatles talking about the electric shock George just received.
Core collection    Track identified    Version validated    Lyrics available    Version details available    Audio excerpt available    Participants list available   

Song Song Studio chat Studio chat
TV/Radio chat/jingle TV/Radio chat/jingle Interview Interview
Cover by another artist Cover by another artist Film Music/Orchestral Film music/orchestral
Concert intro/announcement Concert intro/announcement Advertising Advertising
Song by another artist Song by another artist Medley title Medley title
Book chapter Book chapter
Other type of track Other


Reviews

Review by: François Vander Linden, tilleul@compuserve.comOn 8 Jun 1999
Nothing here that was not released anywhere.
However, the purpose of this album is to show that George although called "The quiet one" has a real importance in the group.

This is really interesting because you'll hear songs that will never be performed by Paul or John (the Harrison compositions of course will never be performed by Paul or John but I'm talking about the non-Beatles tracks). Their likes are different. George really would like to play a Dylan song (3 songs here were written by Dylan). The fact that Dylan cowritten some songs on ATMP reflects this wish I think.

Also George leads the other to rock'n'roll standards that are more Buddy Holly-like (and not Elvis or Little Richard-like as Paul & John use to sing).

I think that with this album a part of George's personnality is revealed. On the other hand, be warned that these are Get Back Sessions and that quality is not always present ! However, if like me you like this kind of bootleg you won't be disappointed.

Final review: buy it except if you have Get Back Journals.
Review by: david, tinatoms@aol.comOn 09 Mar 2000
First, I guess let me say that a number of the songs Harrison had to present in 1969, when this was recorded, should have been in the official LET IT BE album (aka, get back), but were not. Two of his songs were officially released on that LP, FOR YOU BLUE and I ME MINE, while other excellent songs were left off, to appear some months later on his sole 3 LP work of ALL THINGS MUST PASS. Overall, I think this LP is a very interesting piece of musical history, showing not only the musical talents of Harrison, but also showing how the Beatles worked together in the studio. I would say the first half of this disk is more enjoyable than the second half, in that the first half is more songs, while the second half is much more chatting and dialogue. In terms of the musical presence of the other three Beatles, it is not entirely evident whether all four were involved - I would presume Ringo (or Paul) is on drums, but much of the instrumentation is Harrison on guitar, so it is unclear how much the others were involved in these sessions. That said, I like the disk. I also have plans to get the second disck of this series, the acoustic ALL THINGS MUST PASS disk. another interesting item of note is that a good number of the songs are by Bob Dylan, and (whether intentional or not - I would suspect intentional), many of these Harrison songs have a definite sound of being influenced by the BAND, who was working with Dylan during this same time frame on such work as MUSIC FROM BIG PINK, and the BASEMENT TAPES. So, this disk is an interesting piece of history - most of the songs here are by no means finished products, in fact they are clearly still in a state of development, but they are quite nice to listen to. Too bad, looking back 30 years, that these songs did not get a more prominent position in the official LET IT BE LP. As George begins telling John (and Yoko) at the start of the LP, I have a lot of songs I have that I would like to do, I am thinking of a solo LP, I could record and mix the things in a week, and it would still keep the Beatles thing - words to that effect. Too bad that the Beatles as a collective decision did not give a greater prominence to the songs written by George - in particular, I think that the song MY SWEET LORD would have been just beautiful if done by the Beatles, rather than it being a solo Harrison work on his 3 LP set. I guess i have a bias in favor of the Harrison songs, but do like to listen to this disk.
Review by: MrkitesbenefitsOn 20 Oct 2002 at 17:49 CEST
Review by: Keen Simpson xOn 09 Nov 2002 at 16:03 CEST
This disc shows the power that Lennon/McCartney had over the other two band members. No matter how outstanding a recording that Let It Be turned out to be, George had more to give than allowed.
Had the Beatles all embraced these songs and applied their one of a kind skill to the production process, This could have been an even greater project than it turned out to be.
A good disc of things to come and thing that would never be. Better than most from this time period as there are alote of junk discs from the Get Back/Let It Be era.
Get it !!!
Review by: mike harrisonOn 16 Apr 2004 at 06:15 CEST
The "Something" work-in-progress session is the reason why you should put your hands on this one if you don't have the "Day-By-Day" series.
The power of Harrison was in the spirit of his songs, very concentrated on the I and just plain beautiful.
Pity though that Lennon and McCartney didn't regard a bit more on his work. Just the run through of "All Things Must Pass" (track 2) shows how uninterested they were. The backing vocals are lousy and out of tune.
Still a great thing to listen to, even if the "I Me Mine" bit is split by other tracks between them for no apparent reason...
Review by: kurtmaxOn 27 May 2004 at 02:54 CEST
A very nice collection of GH stuff from the GB sessions. Isn't it a pity more of his songs didn't get used for that album?
Review by: beetlebumOn 10 Sep 2004 at 00:55 CEST
this cd is worth it alone for the work you get to hear them putting into "something"--george asks paul--but john gives him a lot of help, telling him to put in any word when he gets stuck (like lennon often did on his songs-She's well acquainted With the touch of a velvet hand Like a lizard on a window pane-george talks about the chords and the desending bass line etc--it's really great--he really struggled ( for 6 months you hear him say) to get it right.Lennon later admited he felt bad that they did not let him put more of his songs on beatle records and here he seems to try make up for it helping him the most.
Also you get to hear george say -fuck...
Review by: GlassOnion67On 26 Jun 2006 at 20:05 CEST
Great collection. I especially like the dialogue of George and John (with Yoko in agreement, and what I think is Billy Preston saying "that's the real thing", correct me if I'm wrong), and to hear George say "fuck" is pretty cool too.


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Filename: yd016
Originally filled by: Francois VDL 100260.2504@compuserve.com
Date of creation: 06 Oct 2001 23:59:59
Last filled by: François Vander Linden, beatleg@easynet.be
Last Revision Date : 22 Jan 2001 00:00:00
Online on : 15 Nov 2001
Type of media: Bootleg CD
The 'Let It Be' Rehearsals
THE "LET IT BE" REHEARSALS VOL. 1 - THE COMPLETE ROOFTOP CONCERT
THE "LET IT BE" REHEARSALS VOL. 2 - ALL THINGS MUST PASS (PART 1: ELECTRIC SET)
THE "LET IT BE" REHEARSALS VOL. 3 - ALL THINGS MUST PASS (PART 2: ACOUSTIC SET)
THE "LET IT BE" REHEARSALS VOL. 4 - ROCK AND ROLL
THE "LET IT BE" REHEARSALS VOL. 5 - THE AUCTION TAPES VOL. 1
Revision history
ver 3 (8 oct 1998)
Added pitch corrections thanks to Ken Smith (mojofilter01@yahoo.com).
Added review (tilleul@compuserve.com)

ver 2 (24 oct 1996)
-------------------
added time tracks and total duration
Missing: comments,booklet,track comments/composers/lyrics/dates ...

Frederic  SMAF@MSN.COM
Ver 1 (25 apr 1996)
-------------------
Missing: comments,booklet, total duration, track comments/lengths/composers/lyrics/dates ...

FVDL 100260.2504@compuserve.com

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