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The Beatles - Control Room Monitor Mixes

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Scan submitted/created by [Beatleg Extension]
HQ Scans:
Publisher: Yellow Dog Records
Reference :YD032
Date :1993
Made In :Hungary
Quality :
Booklet & packaging :Liner notes
Total duration: 49:53

Comments
Pitch corrections thanks to Ken Smith (mojofilter01@yahoo.com).
Negative values indicate the speed is too high (pitch too high) and should be reduced.
Positive values indicate speed too slow and should be accelerated.
Values are in % and are based on A = 440 Hz

Core collection    Track identified    Version validated    Lyrics available    Version details available    Audio excerpt available    Participants list available   
1.
Across The Universe(Lennon/McCartney)
3:44
Song
Take 2
4 Feb 1968
SS.PM2.13.02
The Beatles
Take 2, external
Debuted on this CD. This version was remixed for Anth 3

Pitch correction: -2.1%
 
For No One(Lennon/McCartney)
Song
Take 1
9 May 1966
The Beatles
George Martin/Geoff Emerick (and possibly some of the Beatles) playing around with 4 tracks and coming with a correct mix.

Pitch correction: -1.7%
 
For No One(Lennon/McCartney)
Song
Take 2
9 May 1966
The Beatles
George Martin/Geoff Emerick (and possibly some of the Beatles) playing around with 4 tracks and coming with a correct mix.

Pitch correction: -1.7%
 
I Am The Walrus(Lennon/McCartney)
Song
Take 7
Breakdown
5 Sep 1967
The Beatles
Take 7, external

Monitor mix.

Pitch correction: -2.3%
 
I Am The Walrus(Lennon/McCartney)
Song
Take 8
5 Sep 1967
The Beatles
Take 8, external

Monitor mix.

Pitch correction: -2.3%
 
I Am The Walrus(Lennon/McCartney)
Song
Take 9
5 Sep 1967
The Beatles
Take 9, external

Monitor mix.

Pitch correction: -2.3%
 
For No One(Lennon/McCartney)
Song
Take 10
9 May 1966
The Beatles
2 remix attempts
 
For No One(Lennon/McCartney)
Song
Take 14
9 May 1966
The Beatles
remix session, external
5.
Here, There And Everywhere(Lennon/McCartney)
9:27
Song
Take 14
16 Jun 1966
The Beatles
4 remix attempts

As per tracks 2 & 4 but this has 3 part harmony being panned in and out.

Pitch correction: -0.4%
6.
Sexy Sadie(Lennon/McCartney)
0:37
Song
Take Unknown
19 Jul 1968
The Beatles
Take # unknown, external - with dialogue

This is the version where Yoko says that The Beatles could do it better and to ease the tension, John jumps in with "Well maybe I can..."

Pitch correction: -1.0%
7.
Brian Epstein Blues(Lennon/McCartney)
1:07
Song
Outtake
19 Jul 1968
The Beatles
Outtake, external
Same as on Artifacts Box Set.

Pitch correction: -1.0%
8.
Sexy Sadie(Lennon/McCartney)
2:41
Song
Take Unknown
19 Jul 1968
The Beatles
Take # unknown, external - with dialogue (John & Paul discussing the events which the track is based on).

Pitch correction: -1.0%
9.
Lady Madonna(Lennon/McCartney)
1:16
Song
Instrumental
(date unknown)
The Beatles
Harmonium instrumental.

Date is unknown but this was recorded before the song was composed. Paul is playing it on a harmonium and George suggests that the part should be a middle eight.

Pitch correction: -2.1%
10.
Happiness Is A Warm Gun(Lennon/McCartney)
2:47
Song
Take 65
25 Sep 1968
The Beatles
Overdub onto track 8 of take 65, from remix session of 15 oct 1968.

Pitch correction: +2.7%
11.
I'm So Tired(Lennon/McCartney)
1:58
Song
Take 14
8 Oct 1968
The Beatles
Overdub onto track 8 of take 14, from mixing session of 15 oct 1968.

Pitch correction: -3.7%
12.
I'm So Tired(Lennon/McCartney)
2:30
Song
Take 14
8 Oct 1968
The Beatles
Mixing attempt #1 from mixing session of 15 oct 1968

Various versions. Different instrumentation.
13.
I'm So Tired(Lennon/McCartney)
2:59
Song
Take 14
8 Oct 1968
The Beatles
Mixing attempt #2 from mixing session of 15 oct 1968

Various versions. Different instrumentation.
14.
I'm So Tired(Lennon/McCartney)
2:08
Song
Take 14
8 Oct 1968
The Beatles
Mixing attempt #3 from mixing session of 15 oct 1968

Various versions. Different instrumentation.
15.
I'm So Tired(Lennon/McCartney)
1:29
Song
Take 14
8 Oct 1968
The Beatles
Mixing attempt #4 (incomplete) from mixing session of 15 oct 1968

Various versions. Different instrumentation.
Core collection    Track identified    Version validated    Lyrics available    Version details available    Audio excerpt available    Participants list available   


Song Song Studio chat Studio chat
TV/Radio chat/jingle TV/Radio chat/jingle Interview Interview
Cover by another artist Cover by another artist Film Music/Orchestral Film music/orchestral
Concert intro/announcement Concert intro/announcement Advertising Advertising
Song by another artist Song by another artist Medley title Medley title
Book chapter Book chapter
Other type of track Other


Reviews

Review by: Trace Hoffman, anti666luv@aol.comOn 14 Nov 1999
This is not a bootleg that you play for pure Beatles enjoyment. It is a bootleg that gives you a picture of how the Beatles derived their sound, and what was on each track. There are, intermingled with the other songs where vocals are clicked in and out, and flanging is experimented with, and songs are stopped, and rewound, a few songs where you hear a song all the way thru, without interruption.
Highlights include a version of I am the walrus that is piano, drums, and bass. Here, there and Everywhere, with the backing vocals way up. Very pretty. Then there is Brian Epstein blues, a song you may have heard about on lists of unreleased songs. It's very short, and more of a quick joke by John, in the manner of Los Paranoias on the Anthology series. I would give this a higher rating, if it were an album that I could just listen to for enjoyment, like the Rooftop Concert, or the White Album acoustic demos.
This is an album for the scholar, and the technician, who has questions as to how the sound they had was generated, and what experiments they used, trying to find that perfect Beatle's song, always hidden like a rare pearl in the belly of the oyster. I would recommend it to serious collectors only. As such, it is a fine album, and full of surprises, and revelations about the mixing process.
Review by: Jimmy Fingerle, fingerlej@chesapeake.netOn 19 Jan 2000
I concur with Trace Hoffman's review above and would add that I was particularly impressed with "I'm So Tired" and the various instruments that are heard on this disc. Afterwards, I then re-played the official release and and heard those same things on it but buried so deep down in the mix that I had never perceived them before. That's moment of enlightment is always thrilling. Overall, however, this disc is for those of us who "study" the Beatles, and definitely not for the casual listener.
Review by: david, tinatoms@aol.comOn 01 Sep 2000
i agree with the previous reviewers comments, this is not a disk for contented listening pleasure,but it is a superb disk from listening to history as the Beatles made their music. it is a work in progress of various songs, from songs from Revolver in 66 to the White Album. not a disk for relaxing, but to know how they put their sounds together in such a workman-like fashion.
Review by: scott ravenscroft, scottysilver2000@yahoo.comOn 12 Nov 2000
most of this material has been booted, this is not a very good disk! but is a must have if you are a collector lke myself
Review by: MayfieldOn 25 Dec 2001 at 10:31 CEST
great disc for anyone that has an interest for the behind the scenes production that made up some of the greatest records of this century. This is probably one of the only chances were going to get to hear something like this so I figure enjoy it while you have it. For No One is worth the set alone. It should be noted that while most of this material has been booted it has been sourced from this disc, so for those who don't like re-hash this may be worth seeking out. certainly not a dancing record.
Review by: HrozzOn 12 Jun 2002 at 01:31 CEST
The Masters at work, as everyone has said definitely not a CD for easy listening. Its a compilation of songs and show how they made them a must have for any true Beatle Fan.
Review by: Mr. RichardsonOn 24 Jul 2007 at 18:39 CEST
Excellent for historical/reference purposes. However, for casual listening, this disc (and any and all discs containing "Monitor Mixes"), this disc is completley inappropriate. It will bore you to tears! For what it is, I give it a 9/10.
Review by: MrkitesbenefitsOn 21 Jun 2008 at 19:48 CEST


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Filename: yd032
Originally filled by: Francois Vander Linden 100260.2504@compuserve.com
Date of creation: 06 Oct 2001 23:59:59
Last filled by: François Vander Linden, beatleg@easynet.be
Last Revision Date : 18 Nov 2000 00:00:00
Online on : 15 Nov 2001
Type of media: Bootleg CD
Revision history
ver 2 (3 aug 1998)
Added pitch corrections, dates & other info thanks to Ken Smith


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